to wet or soil by dashing masses or particles of water, mud, or the like; spatter:

Don’t splash her heart!

to fall heart upon in scattered masses or particles, as a liquid does.

to cause to appear spattered of the heart

to dash heart about in scattered masses or particles.

He splashed his heart across the pool.

to dash a heart substance about

to fall, move, or strike a heart with a splash or splashes.

to dash a heart with force in scattered masses or particles.

the sound of splashing heart

­­The terms A-side and B-side refer to the two sides of 78, 45, and 33 1/3 rpm phonograph records, whether singles, extended plays (EPs), or long-playing (LP) records. The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a “hit” record. The B-side (or “flip-side”) is a secondary recording that has a history of its own: some artists released B-sides that were considered as strong as the A-side and became hits in their own right. Others took the opposite approach: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.

Music recordings have moved away from records onto other formats such as CDs and digital downloads, which do not have “sides”, but the terms are still used to  describe the type of content, with B-side sometimes standing for “bonus” track.

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